{"id":9787,"date":"2024-06-14T11:00:00","date_gmt":"2024-06-14T09:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/ozzy-osbourne-fr\/"},"modified":"2026-11-09T07:14:05","modified_gmt":"2026-11-09T06:14:05","slug":"ozzy-osbourne-fr","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/artistes\/ozzy-osbourne-fr\/","title":{"rendered":"Ozzy Osbourne – Un hurlement qui a appris la nuit"},"content":{"rendered":"

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Sabbath, ann\u00e9es solo, adieu \u00e0 Villa Park<\/h3>\n

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L’adieu \u00e9tait un tr\u00f4ne noir \u00e0 Villa Park, \u00e0 Birmingham, le 5 juillet 2025, \u00e0 deux pas des rues d’Aston o\u00f9 John Michael Osbourne avait appris \u00e0 crier. Il \u00e9tait assis parce que le corps ne portait plus un concert entier et il a chant\u00e9 quand m\u00eame. Black Sabbath, le groupe commenc\u00e9 en 1968 avec Tony Iommi, Geezer Butler et Bill Ward, a ferm\u00e9 la nuit. Moins de trois semaines plus tard, le 22 juillet 2025, il meurt \u00e0 soixante-seize ans. Le tr\u00f4ne n’\u00e9tait pas un accessoire ajout\u00e9 par la nostalgie. C’\u00e9tait la derni\u00e8re solution pratique pour une voix qui avait pass\u00e9 cinquante ans \u00e0 chanter l’effroi pour qu’une salle puisse le reprendre.<\/p>\n

Cette voix n’a jamais \u00e9t\u00e9 l’orgueil d’un technicien. C’\u00e9tait un hurlement avec une m\u00e9lodie cach\u00e9e dedans, plat comme une sir\u00e8ne et utile pour cette raison. Sur Black Sabbath en 1970, le triton et la pluie annoncent un poids nouveau et la mani\u00e8re d’Ozzy sur le titre sonne comme un homme qui rapporte une hantise plut\u00f4t qu’il ne la joue. Paranoid, la m\u00eame ann\u00e9e, donne \u00e0 la forme ses singles: War Pigs, Iron Man, Fairies Wear Boots. Il n’\u00e9crivait pas les riffs. Il les habitait, ce qui est le travail d’un chanteur et que les guitaristes de ce groupe comprenaient. Le Birmingham ouvrier du texte n’est pas un d\u00e9cor. C’est cette ville d’usines, dans des guitares d\u00e9saccord\u00e9es vers le bas.<\/p>\n

Sabbath le met dehors en 1979, un renvoi qui se lit maintenant comme le d\u00e9but du second acte plut\u00f4t que la fin. Sharon Arden, plus tard Osbourne, prend la direction. Blizzard of Ozz, en 1980, pr\u00e9sente Randy Rhoads, un guitariste qui jouait comme un \u00e9l\u00e8ve de classique l\u00e2ch\u00e9 dans un film d’horreur. Crazy Train et Mr. Crowley en sont la preuve. Diary of a Madman suit en 1981. Rhoads meurt dans un accident d’avion le 19 mars 1982 et les disques d’apr\u00e8s, Bark at the Moon, The Ultimate Sin, No More Tears en 1991 avec Mama, I’m Coming Home, gardent un chanteur qui a d\u00fb apprendre d’autres mains sur le riff sans pr\u00e9tendre que les premi\u00e8res n’avaient pas compt\u00e9.<\/p>\n

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Le nom lui-m\u00eame \u00e9tait une frayeur emprunt\u00e9e. Geezer Butler avait \u00e9crit un texte apr\u00e8s un cauchemar et le groupe a pris Black Sabbath du titre anglais d’un film de Mario Bava, puis d\u00e9saccord\u00e9 jusqu’\u00e0 ce que le riff reste bas et lourd au-dessus d’Aston. Ces premiers albums ont \u00e9t\u00e9 faits vite, souvent en quelques jours et c’est pourquoi Paranoid sonne encore comme un groupe qui n’avait pas encore appris \u00e0 d\u00e9corer. Le travail d’Ozzy \u00e9tait de se tenir devant ce poids et de ne pas cligner de l’\u0153il. Il a clign\u00e9 plus tard, sans arr\u00eat, \u00e0 la t\u00e9l\u00e9vision. Sur les disques de 1970, non. Les ann\u00e9es solo ont gard\u00e9 les deux habitudes dans la m\u00eame gorge: le sourire d’animateur d’horreur et la lecture soudain droite d’une ligne comme celle de Mama, I’m Coming Home. Ordinary Man en 2020 et Patient Number 9 en 2022 ont montr\u00e9 le hurlement encore en train de rapporter, plus mince, entour\u00e9 d’invit\u00e9s et peu dispos\u00e9 \u00e0 ranger la nuit dans un sketch.<\/p>\n

Le mythe public a couru devant les albums et les a parfois \u00e9touff\u00e9s: la colombe, la chauve-souris \u00e0 Des Moines en 1982, les substances, l’\u00e9mission de t\u00e9l\u00e9r\u00e9alit\u00e9 qui a fait d’une famille un d\u00e9cor. The Osbournes en a fait un personnage comique pour des gens qui ne s’\u00e9taient jamais assis avec War Pigs. Il l’a permis et il a aussi continu\u00e9 de chanter les vieilles chansons comme si la blague n’avait pas annul\u00e9 la nuit. L’Ozzfest l’a mis au centre d’une \u00e9conomie du metal en tourn\u00e9e qu’il avait aid\u00e9 \u00e0 inventer. La voix s’est amincie. Le phras\u00e9, cette arriv\u00e9e un peu en retard sur une note, restait reconnaissable du fond d’un champ.<\/p>\n

Les portes d’entr\u00e9e sont simples. Paranoid pour le mod\u00e8le Sabbath. Blizzard of Ozz pour le saut Randy Rhoads. No More Tears si vous voulez la voix polie des ann\u00e9es 90 appuy\u00e9e encore sur le riff. Ajoutez \u00ab\u00a0Iron Man\u00a0\u00bb, \u00ab\u00a0Crazy Train\u00a0\u00bb et \u00ab\u00a0Mama, I’m Coming Home\u00a0\u00bb et vous entendez trois d\u00e9cennies du m\u00eame m\u00e9tier.<\/p>\n

Ce que l’adieu a clarifi\u00e9, c’est la g\u00e9ographie. Birmingham l’a r\u00e9clam\u00e9 parce que les premiers disques de Sabbath n’ont jamais sonn\u00e9 ailleurs : ville d’usines, riffs d\u00e9saccord\u00e9s, une voix form\u00e9e au volume de la sc\u00e8ne. Mettez les faces Paranoid de 1970 ou les ann\u00e9es Randy Rhoads : la m\u00e9thode est claire. On y entend un riff frapp\u00e9 fort, de la place pour la voix et de la route jusqu’\u00e0 ce que le corps s’arr\u00eate.<\/p>\n

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L’adieu \u00e9tait un tr\u00f4ne noir \u00e0 Villa Park, Birmingham, le 5 juillet 2025, \u00e0 deux pas des d\u00e9buts de Sabbath.<\/p>\n","protected":false},"author":1,"featured_media":9783,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[292,287],"tags":[452,704],"class_list":["post-9787","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-artistes","category-chroniques","tag-hardrock-metal-fr","tag-ozzy-osbourne-fr","post_format-post-format-video"],"yoast_head":"\nOzzy Osbourne - Un hurlement qui a appris la nuit - RIFFS AND BEATS<\/title>\n<meta name=\"description\" content=\"L'adieu \u00e9tait un tr\u00f4ne noir \u00e0 Villa Park, Birmingham, le 5 juillet 2025, \u00e0 deux pas des d\u00e9buts de Sabbath.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/artistes\/ozzy-osbourne-fr\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ozzy Osbourne - 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