{"id":9817,"date":"2026-06-12T10:00:00","date_gmt":"2026-06-12T08:00:00","guid":{"rendered":"https:\/\/riffsandbeats.com\/non-classe\/off-the-wall-michael-jackson-2\/"},"modified":"2026-06-12T10:00:00","modified_gmt":"2026-06-12T08:00:00","slug":"off-the-wall-michael-jackson-2","status":"publish","type":"post","link":"https:\/\/riffsandbeats.com\/fr\/chroniques\/off-the-wall-michael-jackson-2\/","title":{"rendered":"Off the Wall – Michael Jackson"},"content":{"rendered":"

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La nuit o\u00f9 l’enfant prodige est devenu un chanteur adulte<\/h3>\n

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Le 10 ao\u00fbt 1979, Michael Jackson sort le premier album qui sonne comme un homme choisissant son propre temps, pas un gar\u00e7on tenu dans la tonalit\u00e9 de la famille. Off the Wall<\/em> s’ouvre sur une confidence parl\u00e9e, presque une confession au micro, puis Don’t Stop ‘Til You Get Enough<\/em> enl\u00e8ve le toit avec une joie qui est aussi une forme de discipline. Le beat ne vagabonde pas. La voix, elle, vagabonde, jusqu’\u00e0 un falsetto qui ressemble \u00e0 une bonne nouvelle apport\u00e9e en personne. C’est de la disco, et du funk, et une tradition de ballade qui refuse d’avoir honte de l’un ou de l’autre. Epic le publie. Quincy Jones le produit. Le partenariat a commenc\u00e9 sur le film The Wiz<\/em>. L’album est l’endroit o\u00f9 il apprend \u00e0 danser.<\/p>\n

Jackson arrive avec des chansons \u00e0 lui : Don’t Stop ‘Til You Get Enough<\/em>, Working Day and Night<\/em>, et, avec Louis Johnson, Get on the Floor<\/em>. Rod Temperton, de Heatwave, \u00e9crit le titre, Rock with You<\/em> et Burn This Disco Out<\/em>, trois le\u00e7ons sur la mani\u00e8re dont un refrain peut \u00eatre \u00e0 la fois un hook et une pi\u00e8ce. Paul McCartney envoie Girlfriend<\/em>. Stevie Wonder et Susaye Greene \u00e9crivent I Can’t Help It<\/em>. Tom Bahler \u00e9crit She’s Out of My Life<\/em>, la ballade o\u00f9 la voix de Jackson se brise d’une fa\u00e7on qu’aucun producteur ne garderait d’habitude, et Jones la garde. Bruce Swedien est \u00e0 la technique \u00e0 Allen Zentz, Westlake et Cherokee, des pi\u00e8ces de Los Angeles r\u00e9gl\u00e9es pour des sections rythmiques qui doivent sembler proches, pas \u00e9normes. Les cordes sucrent sans noyer la basse.<\/p>\n

Quatre singles atteignent le top dix am\u00e9ricain : les deux titres d’ouverture, la chanson-titre, et la ballade. Cette s\u00e9rie compte parce qu’elle prouve que l’album n’est pas une seule id\u00e9e r\u00e9p\u00e9t\u00e9e dans des chaussures diff\u00e9rentes. Rock with You<\/em> est la braise lente, une chanson d’amour qui fait autant confiance \u00e0 la bo\u00eete \u00e0 rythmes qu’au murmure. Off the Wall<\/em> est la soir\u00e9e, argot et cordes dans la m\u00eame phrase. She’s Out of My Life<\/em> est le lendemain matin, et elle ne cligne pas de l’\u0153il. Entre elles, Working Day and Night<\/em> est presque en col\u00e8re contre son propre groove, une plainte de travailleur sur laquelle on peut danser, vieux tour de soul que Jackson a visiblement \u00e9tudi\u00e9.<\/p>\n

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\n

We approached that record like we were going into battle.<\/p>\n<\/blockquote>\n

(Quincy Jones, Los Angeles Times, 2009)<\/em><\/p>\n

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On traite parfois Off the Wall<\/em> comme le couloir vers Thriller<\/em>. C’est injuste pour le couloir, qui est d\u00e9j\u00e0 une maison. Thriller sera plus grand, plus \u00e9trange, plus blind\u00e9. Ce disque est celui o\u00f9 la joie est encore sans garde. Jackson a vingt ans. Il est c\u00e9l\u00e8bre depuis plus longtemps que certains de ses musiciens ne sont professionnels, et il se sert de cet \u00e9trange apprentissage sans se laisser durcir. La danse est dans la voix. On entend les pieds m\u00eame quand on ne les voit pas.<\/p>\n

Mettez-le quand la pi\u00e8ce est ti\u00e8de. L’album comprend le plaisir comme un m\u00e9tier, pas comme un accident : des arrangements qui laissent la place d’un souffle, une basse qui r\u00e9pond, un chanteur qui sait exactement quand cesser d’en montrer. La disco allait \u00eatre d\u00e9clar\u00e9e morte par des gens qui avaient besoin d’un nouveau titre de une. Off the Wall<\/em> n’a pas re\u00e7u le m\u00e9mo, ou il l’a re\u00e7u et a dans\u00e9 quand m\u00eame. Le mur du titre est tout ce qui \u00e9tait cens\u00e9 le garder figurant dans sa propre vie. Il le d\u00e9passe, et le pas est en mesure.<\/p>\n

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Le 10 ao\u00fbt 1979, Michael Jackson sort le premier album qui sonne comme un homme choisissant son propre temps, pas un gar\u00e7on tenu dans la tonalit\u00e9 de la famille.<\/p>\n","protected":false},"author":1,"featured_media":9810,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"footnotes":""},"categories":[288,287],"tags":[428,454],"class_list":["post-9817","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-albums-fr","category-chroniques","tag-discofunk-fr","tag-michael-jackson-fr","post_format-post-format-video"],"yoast_head":"\nOff the Wall - Michael Jackson - RIFFS AND BEATS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/riffsandbeats.com\/fr\/chroniques\/off-the-wall-michael-jackson-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Off the Wall - 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