A drum machine and a keyboard riff arrive already running, bright as a cartoon chase, and Morten Harket's voice climbs until the note is higher than the room expected.
The 1985 Australian Day by Day interview meets Grace Jones in the year of Slave to the Rhythm, the Trevor Horn production that turned one song into a whole architecture, with Jean-Paul Goude still shaping the image.
In the first months of 1977, Bob Marley & The Wailers were in London because Kingston was no longer a safe room, and they answered the distance by making a record that walks.