Pink Floyd – Echoes
Echoes takes the whole second side of Meddle.
Coldplay – Yellow
Look at the stars, look how they shine for you. The opening line of Yellow is also the origin story, and it still feels like a private vow sung into a large room. During sessions for Parachutes at Rockfield Studios in.
Interview of John Lennon (1975)
John Lennon’s 1975 Tomorrow Show interview with Tom Snyder shows a calmer post-Beatles Lennon talking fame, politics, and fatherhood in New York.
Top 10 Female Voices That Redefined Pop
Ten singers whose hits forced radio to widen what a pop voice could do.
Prince – ANOTHERLOVE
In July 2013, around four in the morning at Paisley Park, Prince told Donna Grantis to play the ANOTHERLOVE solo on the spot instead of the next day.
Gaz Coombes – The English Ruse
Piano hits first, bright and restless, before the guitars thicken and Gaz Coombes's vocal rides a steady that refuses Britpop nostalgia. The English Ruse is track three on Matador, his second solo album, released 26.
David Bowie – Five Years
Five Years opens The Rise and Fall of Ziggy Stardust and the Spiders from Mars in June 1972. Before the glam costumes fill the frame, Bowie stages a market-square panic: a news guy weeps, mothers sigh, and the clock is.
Red Hot Chili Peppers – Universally Speaking
Universally Speaking was already in the set at V Festival in August 2001, ten months before By the Way reached the shops, and it only became a single in Europe.
Queen – Don’t Stop Me Now
In August 1978, at Super Bear Studios in France, Freddie Mercury cut Don't Stop Me Now at the piano.
Blur – Badhead
Badhead sits sixth on Parklife, the April 1994 Food Records album that locked Blur into Britpop’s centre lane. Stephen Street produced; John Smith engineered. Sessions ran at Maison Rouge in London from November 1993.