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Adamski – Killer

A Camden instrumental that became a number one

In 1989 Adam Tinley, who recorded as Adamski, was making instrumentals in a flat in Camden, with a drum machine and keyboards set up at home. He already had a hit that year with N-R-G. One of the new pieces he called The Killer, because it sounded to him like music for a murder scene in a film. He played it as an instrumental in DJ sets, including, by his account, the closing party at Amnesia in Ibiza in the late summer of 1989. He did not think it was a single.

Seal, then Sealhenry Samuel, had been singing in blues bands and had come back from a year of travelling with a demo tape. He and Adamski met on New Year’s Eve 1989 at a London club called Solaris. Adamski asked him to pick an instrumental and sing on it. Seal chose The Killer. Adamski has said the vocal was recorded on 27 January 1990, the same day about 10,000 people gathered in Trafalgar Square, not far from the studio, for the Freedom to Party demonstration against a government crackdown on raves. Adamski went to that rally himself.

Seal wrote the words with him. The lyric pushes at whatever holds a person back, including a line about racism among “future kids.” The title only makes plain sense once Seal sings that loneliness is the killer. On the record the voice sits over a hard, repeating keyboard line and a drum-machine pattern that stays simple so the vocal can cut through. Adamski produced it. The original single is credited to him alone, even though Seal is the singer.

The lyrics are about transcending whatever holds you back.

(Seal, The Guardian, 2013)

MCA released Killer on 26 March 1990, with Bassline Changed My Life on the other side. It entered the UK top 40 at number 39 on 14 April, reached number one on 12 May, and stayed there for four weeks, until New Order’s World in Motion took the place. It sold more than 400,000 copies in Britain and was certified gold. It also went to number one in Belgium and to number two in the Netherlands and in West Germany. The video, directed by Don Searll, shows Seal singing while Adamski is at the decks. The song opens Doctor Adamski’s Musical Pharmacy, released on 1 October 1990, which reached number eight on the UK album chart.

In 1991 Seal recorded the song again for his debut album, with Trevor Horn producing. That version reached number eight in Britain. The 1990 single is the one that took both of them out of the rave circuit: Adamski from illegal parties to a household name in a week, Seal toward Crazy and a solo career. The flat recording is still the one with the sharper edge.

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