Oasis leftover, 2020: Blue Moon Rising EP finally opens the door
Noel Gallagher first wrote Come On Outside while Oasis worked on Dig Out Your Soul in 2008. The song stayed unfinished in public until 27 February 2020, when Noel Gallagher’s High Flying Birds issued it as a digital single. A week later, on 6 March 2020, it landed as track three on the Blue Moon Rising EP, the last of three short High Flying Birds EPs between 2019 and 2020. Credits list Gallagher as writer and producer, with Dave Sardy also on production and mix duties; parts of the EP period were engineered around Abbey Road’s Gatehouse studio with Paul Stacey and Emre Ramazanoglu.
The arrangement keeps Gallagher’s familiar tools: layered electric guitars, a solid drum pattern, and a vocal that sits forward without a guest feature. Harmonies stack on the chorus. The lyric reads as a push out of the house and into motion, closer to a pep talk than to a breakup ballad. Compared with the heavier psychedelic turns of late Oasis, this cut is cleaner and more open, in line with the dance-leaning singles that surrounded the EP (Black Star Dancing, Wandering Star, Blue Moon Rising).
There was no full narrative video; the official channel posted a lyric video. Fans who had tracked Oasis session leaks already knew the title. For everyone else, 2020 was the first clean studio version: Sour Mash / High Flying Birds branding, not an Oasis B-side vault dump. Live dates announced around the EP (Manchester Apollo, Royal Albert Hall for Teenage Cancer Trust) put the new songs into the set before the pandemic shut tours down.
How it manages to combine the influences of Metallica, the Jesters Of Malice, Mantovani, Robinson Crusoe as well as Bob Marley and The Wailers is literally beyond me.
(Noel Gallagher on Blue Moon Rising material, Abbey Road / press notes, 2020)

Come On Outside does not rewrite Gallagher’s catalog. It finishes a 2008 idea with 2020 High Flying Birds production and parks it inside a five-track EP rather than a full album campaign. That is enough: an Oasis-era sketch, completed, and filed under the solo band name.
Twelve years between the notebook and the release date. The door opens late, but it opens.
Mike B. | 11 October 2026
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bass line on Come On Outside is the whole argument. Rest is decoration. Might be recency bias but I do not care today. Needed that.
Tom Riff | 12 October 2026
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Heard Come On Outside a thousand times. This reminded me why it stuck. That is all.
Priya | 13 October 2026
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I never knew that detail about the session. Changes how I hear the intro. Anyway.
Nina Bass | 13 October 2026
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First time I heard Come On Outside was on a burned CD. Still got the scratches in my head. Sharing this in the group chat. Expect chaos.
François | 14 October 2026
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Still puts Come On Outside on whenever I need a reset. Never gets old. I told my coworker and they shrugged. Their loss. I am biased and fine with it.
Olivier | 15 October 2026
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Opened the article, heard the riff in my head before the embed loaded. Classic.
Rita | 16 October 2026
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i always skip to Come On Outside on the album. Guilty.