A week for Schroeder’s La Vallée
Obscured by Clouds landed in the UK on 3 June 1972 (Harvest), with a US release two weeks later. It is Pink Floyd’s second score for director Barbet Schroeder, after More in 1969. The band booked roughly a week at Strawberry Studios, Château d’Hérouville, north of Paris, while already road-testing material that would become The Dark Side of the Moon. The brief was film first: cues that could sit under dialogue and images from La Vallée, then stand on vinyl as an album.
The tracklist mixes instrumentals and songs. The title cut and When You’re In open with heavy, almost riff-rock weight. Burning Bridges and Mudmen trade Wright’s organ colours against Gilmour’s guitar. The Gold It’s in the… and Childhood’s End push forward drive; Wot’s… Uh the Deal? and Stay slow into ballad pace. Free Four is the clearest single: acoustic strum, Waters on lead vocal, a lyric about time and mortality that already points at Dark Side themes. Absolutely Curtains closes with Mapuga chant recordings from the film shoot.
Hipgnosis blurred a polaroid of the band for the sleeve. The sessions sound fast: shorter pieces than the Abbey Road records, from a working band in a French château with a deadline. Schroeder needed music that could sit in the frame; the Floyd delivered short forms instead of another side-long suite.
It was a very quick album. We went to France, wrote and recorded for the film, and came back with a record that still works away from the screen.
(Nick Mason, on the Obscured by Clouds sessions)

Charts treated it as a solid mid-tier Floyd entry while Dark Side was still forming onstage. Later listeners often rediscover Free Four and Childhood’s End as the songs that travel best outside the film. Official audio of Free Four keeps that single voice in circulation without needing the movie.
The château week is still audible: tight cues, a few hooks, no twenty-minute centrepiece. Obscured by Clouds sits between Meddle and The Dark Side of the Moon, another Schroeder score made while that larger piece was still played live.
Anne | 12 October 2026
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Put Obscured By Clouds on while cooking. Burned the onions. Worth it. Coffee got cold while I finished the article. Acceptable.
Inés | 12 October 2026
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My copy of Obscured By Clouds is destroyed. Still won’t replace it. Marks are history. Might be recency bias but I do not care today.
Nadia | 13 October 2026
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The cover alone put me off as a kid. Then Obscured By Clouds ate my whole summer. Also the comments section on old forums was wild about this. Just saying.
Priya | 13 October 2026
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Gateway album for me. Everything after Obscured By Clouds made more sense.
Bea | 14 October 2026
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Not every track is perfect but the whole of Obscured By Clouds feels like a place.
Léa | 14 October 2026
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Bought Obscured By Clouds on vinyl last year. Article made me flip it again tonight. Coffee got cold while I finished the article. Acceptable. Just saying.
Marc G. | 15 October 2026
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Read this and finally understood why critics flipped for Obscured By Clouds. Fight me.
Amy | 15 October 2026
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The cover alone put me off as a kid. Then Obscured By Clouds ate my whole summer. Also the comments section on old forums was wild about this.
Mateo | 16 October 2026
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Pink Floyd really sequenced this one right. Side B still surprises me.