The single edit added a vocal the album left off
Epic released Never as Good as the First Time on 5 March 1986. It was the third single from Promise, after The Sweetest Taboo and Is It a Crime?. Music & Media, in the issue of 10 May 1986, called it the highest new airplay entry in Europe that week and identified it as that third single. Sade Adu wrote the words. She and Stuart Matthewman wrote the music. The production credit is split four ways: Robin Millar, Ben Rogan, Mike Pela and Sade. The album cut runs 5:00. The single runs 3:57, with a vocal introduction that is not on the album and a slightly different vocal mix. The B-side is Keep Hanging On.
The song had been tracked in 1985 during the Promise sessions at the Power Plant in London and at Studio Miraval in Provence. Next to The Sweetest Taboo it is faster. The lyric argues that the second time will not match the first: good times come and go, the rose is what people remember, the thorns are what they forget. Matthewman’s guitar and saxophone sit in the same place in the band as on the rest of the record, but the tempo is quicker.
Brian Ward directed the video in black and white. Adu rides a horse through El Rocío, Almonte and Huelva, in Andalusia, the same region used for the desert scenes in The Sweetest Taboo. The clip runs about 3:55, in line with the single, not the five-minute album track. There is no loft, no rain machine, no glasses on a cafe table. The picture is a rider and open country.
Nearly all Sade songs are about commitment and security, but this, an ode to hooking up and living purely in the present, is the exception. The reckless pace matches the lyrical abandon.
(Frank Guan, Vulture, 26 October 2017)

The UK chart was a one-week visit at number 89, on 3 May 1986. Ireland reached 29. The Dutch Top 40 peaked at 35. In the United States the Hot 100 peak was 20, on 17 May 1986, after 12 weeks. R&B went to 8. Adult Contemporary went to 6. The dance sales chart reached 18. Canada Adult Contemporary also hit 6. The split is plain: a short edit built for American radio, and a home chart that barely noticed.
Promise had already done its work by then. The album was out on 4 November 1985 and The Sweetest Taboo was a US top five. Never as Good as the First Time did not repeat that peak. It put a quicker Sade record on R&B radio. The video is a horse in a black and white frame. The vocal introduction is only on the single.
François | 10 October 2026
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Not my usual lane but Never as Good as the First Time got me. Fair enough. Might be recency bias but I do not care today.
Chris | 10 October 2026
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I always skip to Never as Good as the First Time on the album. Guilty. Also the comments section on old forums was wild about this. Just saying.
Ben | 11 October 2026
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The production notes here made me replay Never as Good as the First Time twice. Nice catch. Sharing this in the group chat. Expect chaos. Needed that.
Louise | 12 October 2026
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This is the track I put on to test new speakers. Sade never lies. Might be recency bias but I do not care today.
Fatima | 13 October 2026
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I always skip to Never as Good as the First Time on the album. Guilty.
Sam W. | 13 October 2026
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Heard Never as Good as the First Time a thousand times. This reminded me why it stuck. Anyway.
Anne | 14 October 2026
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Kinda basic of me but Never as Good as the First Time is still top 5 Sade for me. Anyway.
Léa | 14 October 2026
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opened the article, heard the riff in my head before the embed loaded. Classic. Just saying.
Inés | 14 October 2026
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Ok but who else puts Never as Good as the First Time on at 1am and feels seen?
Mike B. | 15 October 2026
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I never knew that detail about the session. Changes how I hear the intro.
Rita | 16 October 2026
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Anyone else think the live versions of Never as Good as the First Time are better? Studio still wins for me though.