South Bank Show, Homogenic year
Melvyn Bragg’s South Bank Show portrait of Björk in 1997 moves between Iceland and the Spanish sessions around Homogenic. She talks about the work, the landscape, and the electronic parts of the same working day: programmed beats, string arrangements, a voice that avoids cartoon eccentricity.
The portrait shows the craft, the homesickness, and a clear liking for machines that can still sound like weather, not only like a metaphor.
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