South Bank Show, Homogenic year
Melvyn Bragg’s South Bank Show portrait of Björk in 1997 moves between Iceland and the Spanish sessions around Homogenic. She talks process, landscape, and electronic muscle as parts of the same working day: programmed beats, string arrangements, a voice that refuses cartoon eccentricity.
What you get is craft, homesickness, and a clear affection for machines that can still sound like weather without becoming metaphor only.
