A Camus single on Small Wonder, December 1978
Killing an Arab was recorded on 20 September 1978 and released in late December as the Cure’s first single. Manager Chris Parry wanted it out before Christmas, to follow a run of dates that had included a short, unhappy support slot with Generation X. Fiction, the label he was starting, was not ready to distribute, so he licensed about 15,000 copies to Small Wonder, the Walthamstow independent. Most of the weekly music papers reviewed the record in early January 1979. In February, Fiction reissued it as FICS 001, the label’s first release. The B-side was 10:15 Saturday Night. The single runs 2 minutes 21 seconds. Parry produced it.
The band on the record is the trio: Robert Smith on guitar and vocal, Michael Dempsey on bass, Lol Tolhurst on drums. Porl Thompson had already left. The lyric follows a scene in Albert Camus’s 1942 novel The Stranger, published in French as L’Étranger. On a beach, in hard light, the narrator Meursault shoots a man. Smith said the man in the book happened to be Arab, and that the point was the empty act, not a target. Fiction even sent copies of the novel out with early pressings so the reference would be hard to miss.
The record itself is plain. A short guitar figure, Dempsey’s bass, Tolhurst’s drums, Smith singing almost flat, no chorus built to lift a crowd. It does not sound like the later Cure of long echoes and lipstick. It sounds like a 1978 single from a Crawley trio that had just left the pub circuit. The song later opened the American set of Boys Don’t Cry in 1980 and sat on the 1986 singles collection Standing on a Beach, whose title Smith took from the first line.
It’s not really racist, if you know what the song is about. It’s not a call to kill Arabs.
(Robert Smith, NME, 1978)

The title still caused trouble. In 1986 the American-Arab Anti-Discrimination Committee objected to the song as it sat on Standing on a Beach, a record that had sold in the hundreds of thousands in the United States. In January 1987 the band agreed to sticker the album and the concert film, and to ask American radio not to play the track. Smith’s sticker said the song had no racist tone and that the Cure condemned its use to feed anti-Arab feeling. He said later that if he had known the trouble coming, he would have called the song Standing on a Beach.
The single that matters is the 1978 Small Wonder 7-inch and the Fiction reissue of early 1979, not the track as it appears on a later singles compilation. Three people, two minutes, a novel on the press sheet, and a title that outran the explanation. Smith kept having to say what Camus’s beach scene was. The record is still that scene, cut down to a 45.
Amy | 9 October 2026
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Heard Killing An Arab a thousand times. This reminded me why it stuck. Replay button abused.
Diego | 10 October 2026
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I argued with my brother about Killing An Arab for years. This is my exhibit A. Also the comments section on old forums was wild about this.
Tom Riff | 10 October 2026
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I show Killing An Arab to friends who say they hate that era. Works every time. Just saying.
Léa | 11 October 2026
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Still puts Killing An Arab on whenever I need a reset. Never gets old.
Inés | 12 October 2026
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The production notes here made me replay Killing An Arab twice. Nice catch. Sharing this in the group chat. Expect chaos.
Mike B. | 13 October 2026
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Opened the article, heard the riff in my head before the embed loaded. Classic. I told my coworker and they shrugged. Their loss. That is all.
Olivier | 14 October 2026
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Ok but who else puts Killing An Arab on at 1am and feels seen?
Chris | 15 October 2026
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People sleep on how weird Killing An Arab actually is. This article gets it.
Sam W. | 15 October 2026
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The production notes here made me replay Killing An Arab twice. Nice catch.
Ivan | 16 October 2026
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Cool. Now I want the deep cuts around Killing An Arab too.