The Who – Sound carved in stone
The Who rose from Shepherd's Bush pubs to Tommy, Live at Leeds, and Who's Next: volume, Mod fury, and rock-opera ambition with Townshend, Daltrey, Entwistle, and Moon.
The Who rose from Shepherd's Bush pubs to Tommy, Live at Leeds, and Who's Next: volume, Mod fury, and rock-opera ambition with Townshend, Daltrey, Entwistle, and Moon.
On L7's 1994 album Hungry for Stink (Slash / Reprise), Fuel My Fire is a short, loud hard-rock cut from the Los Angeles band's fourth studio record. Donita Sparks, Suzi Gardner, Je…
Riffs and Beats Sid, what do you make of today’s music scene?
Master of Puppets was cut at Sweet Silence in Copenhagen with Flemming Rasmussen and set the thrash template for what followed.
Head Over Heels, from Songs from the Big Chair (1985): UK No. 12, US Billboard Hot 100 No. 3.
From Somerton, Jamaica, to the 1972 film The Harder They Come, Jimmy Cliff turned ska and early reggae into a passport: "Many Rivers to Cross," "You Can Get It If You Really Want," and a career that outlived every wave.
Dayglow’s Then It All Goes Away (People in Motion, 2022): Sloan Struble wrote the bassline over coffee and finished the song the same Texas day.
In May 1988, Lovesexy replaced a scrapped Black Album with seven weeks of Paisley Park sessions and a flowerbed cover.
Benjamin Diamond’s Little Scare (Strange Attitude, 2000): after Stardust, Diamond Traxx/Epic, Paris house solo.
Wu-Tang Clan's 1993 debut Enter the Wu-Tang put nine Staten Island MCs on one RZA-built chamber of beats.