Southside deep cut turned Mercury single after the debut hit
Everyday Now sits on Texas’s debut album Southside, released 13 March 1989 on Mercury after sessions at Maison Rouge in London between September and November 1988. Johnny McElhone and Sharleen Spiteri wrote it; Tim Palmer produced. The band around Spiteri’s vocal and guitar included McElhone on bass, Ally McErlaine on guitar, and Stuart Kerr on drums. Mercury issued the song as a single on 24 July 1989 (UK catalogue TEX 3), with Waiting for the Fall on the B-side, after I Don’t Want a Lover had already put the Glasgow group in the UK Top 10.
On the UK Singles Chart it peaked at number 44; in France it reached number 25. Where the debut hit leaned pop-rock radio, Everyday Now slows the pulse and opens space for Spiteri’s vocal. Guitar lines stay dry and a little bluesy. The mix leaves air around the voice instead of stacking hooks. It is the album track that shows Texas could hold a mood without chasing another chorus engineered for daytime radio.
The name Texas came from Wim Wenders’ film Paris, Texas, not from American geography in the songs. That distance fits this cut: a Scottish band borrowing Southern blues colours while Spiteri sings with Glasgow composure. Palmer’s production keeps the arrangement clear. No heavy studio tricks, just tempo, tone, and a singer who does not rush the lines.
A bluesy ballad which drips with soul.
(Contemporary press description of Everyday Now, 1989)

Southside itself climbed to number 3 on the UK Albums Chart and spent months in the listing even as later singles from the album charted lower. Everyday Now became a live regular and later a greatest-hits fixture because it showed the band’s slower gear early, before the mid-1990s pop peak of White on Blonde. For listeners who only know Texas from later radio hits, this is the door back into the debut’s blues-leaning side.
Play it after I Don’t Want a Lover and the debut’s range becomes obvious: one side built for charts, the other for a longer breath and a drier guitar. Spiteri’s vocal does the carrying. Palmer and McElhone leave her the room to do it.
Alex | 9 octubre 2026
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Escuché Everyday Now mil veces. Esto me recuerda por qué se me quedó.
Sam W. | 10 octubre 2026
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Pongo Everyday Now a amigos que odian esa época. Funciona.
Bruno | 11 octubre 2026
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Escuché Everyday Now mil veces. Esto me recuerda por qué se me quedó. Puede ser sesgo reciente y hoy me da igual. Botón replay abusado.
Inés | 12 octubre 2026
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En corto: el groove de Everyday Now sigue siendo injusto. El café se enfrió mientras terminaba. Aceptable.
Zoé | 12 octubre 2026
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La primera vez que oí Everyday Now fue en un CD quemado. Aún oigo los rayones. El café se enfrió mientras terminaba. Aceptable.
Maya | 13 octubre 2026
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Canción simple, feeling grande. Everyday Now sigue haciendo eso.
Louise | 14 octubre 2026
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Buena crónica. Había olvidado lo afilado que suena Texas aquí. El café se enfrió mientras terminaba. Aceptable. Venga.
Ben | 15 octubre 2026
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Sigo poniendo Everyday Now cuando necesito reset. No envejece.
Chris | 16 octubre 2026
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Es el tema que uso para probar altavoces. Texas no miente. Lo suelto en el grupo. Caos asegurado.