In March 1986, Metallica released an album with no advance single and a cover that already told you the subject: hands in a red sky, and a field of white crosses on strings.
A bass synthesiser counts the listener in like a bartender who has seen this argument before, and Philip Oakey starts the story from his side, already certain he is owed something.
A drum machine keeps a slow, almost funereal pulse, strings enter like a room going cold, and Sinéad O'Connor's voice arrives bare, counting the hours since love left as if the arithmetic could bring it back.