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Supergrass – Richard III

March 1997 single: In It for the Money, Sawmills, UK number 2

Richard III is the second single from Supergrass’s second album In It for the Money, after the earlier release of Going Out. Parlophone issued the single on 31 March 1997. It reached number 2 on the UK Singles Chart, matching the peak of Alright / Time and remaining the band’s joint-highest placing. The album followed in April and also hit UK number 2. Sessions ran at Sawmills in Cornwall with John Cornfield and the band producing. Gaz Coombes sings and plays guitar; Mick Quinn plays bass; Danny Goffey plays drums; Rob Coombes adds keys and writing credit. Most of the album was cut at Sawmills Studio in Cornwall, with John Cornfield producing in the room alongside Coombes, Quinn and Goffey. After Alright made them festival favorites, Richard III was the heavier, darker follow-up. UK number 2 put this harder song beside the lighter hit.

By 1997 the parkas and the pogo of I Should Coco were no longer the whole story. The track opens with a greasy, rough riff that sounds lifted off a garage floor. Coombes pushes the vocal through closed teeth; fuzz and basement echo thicken the frame. The title nods to Shakespeare’s dark king more as mood than plot: no hump, no horse, no monologue, just a name that matched the song’s menace. Supergrass liked that reference because it fit the tone. In the hangover years of Britpop, when many acts played safe or sad, this single stayed loud and strange enough for daytime radio and still topped out at number 2.

Production stays lean and physical rather than glossy label polish. The recording has a T. Rex stomp and the urgency of the Stooges, run through the English humor the band never quite lost. B-sides on the single packages included Sometimes I Make You Sad and 20ft Halo, proof the campaign still treated extras as part of the story.

On the single the roles stay plain: Coombes sings and plays guitar, Quinn plays bass, Goffey plays drums. Cornfield’s name stays with the Sawmills Studio tapes in Cornwall.

The band liked the reference to the king Richard III and the Shakespeare play Richard III in which the king is depicted as a dark and evil character, as it matched the menacing tone of the song.

(Supergrass on the title, 1997)

Richard III followed the lighter singles of the debut and still reached the UK Top 10 in the late 90s. It stayed loud and odd, and it was not recut for adult-contemporary playlists. Festival bills kept the riff in circulation for decades. Live, the band uses it mid-set when they want a harder push than the debut’s lighter hits, the ones that made the first album’s name.

The opening riff is rough, and Coombes sings through closed teeth. Goffey’s drums stay hard. Cornfield’s mix at Sawmills stays lean. The menace sits in the title and in the riff. The single still reached UK number 2 on the strength of that riff.