Dawn FM 2022, Max Martin and Holter
On 7 January 2022, The Weeknd released Dawn FM through XO and Republic. Near the end of the tracklist sits Less Than Zero, written by Abel Tesfaye with Max Martin and Oscar Holter. The three produced it with Oneohtrix Point Never. The album frames itself as a late-night radio station; this cut plays like a love song the DJ saves for the last hour. Bright keyboards, clean guitars, and a chorus that states regret without hiding behind metaphor keep the arrangement open and easy to follow.
Tesfaye sings about a relationship he cannot fix and a self-image that stays below zero. Martin and Holter play guitar, keys, and bass and handle programming; Tesfaye stacks his own background vocals. Engineers including Matt Cohn, Sam Holland, and Shin Kamiyama tracked the sessions; Şerban Ghenea mixed; Dave Kutch mastered. What you hear is closer to 1980s synth-pop and new wave than to the darker R&B of earlier Weeknd tapes, which fits the soft-rock and radio-nostalgia palette of Dawn FM after the heavier drama of After Hours.
A lyric video directed by Micah Bickham arrived on 9 January 2022. In July 2022 the song went to French contemporary hit radio as the fourth and final single from the album, after Out of Time in the singles run. Chart peaks included No. 53 on the US Billboard Hot 100, No. 32 on the Canadian Hot 100, No. 24 on the Billboard Global 200, and Top 50 marks in Australia and several European territories. Live, Tesfaye folded the song into the Dawn FM television special and later tour sets as a clear pop centerpiece.
I know I’ll always be less than zero.
(Abel Tesfaye with Max Martin and Oscar Holter, lyric from Less Than Zero)

On an album full of guest voices and radio skits, this track keeps the focus on one vocal and a tight pop arrangement. It sits beside songs like Out of Time as proof that Tesfaye’s Martin/Holter collaborations can stay melodic without soft-pedaling the lyric. The title also winks at Bret Easton Ellis without needing the novel; the song explains itself.
Play the album sequence: after the darker turns of Dawn FM, Less Than Zero feels like the station finally playing a love song that admits defeat. That honesty is why it travels beyond the concept.
Louise | 10 October 2026
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Cool. Now I want the deep cuts around Less Than Zero too. Anyway.
Zoé | 10 October 2026
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Short take: the groove on Less Than Zero still feels unfair.
Léa | 11 October 2026
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Short take: the groove on Less Than Zero still feels unfair. Ok bye.
Aria | 12 October 2026
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Opened the article, heard the riff in my head before the embed loaded. Classic.
Rosa | 12 October 2026
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Solid chronicle. I forgot how sharp The Weeknd sounded on this one. Sharing this in the group chat. Expect chaos.
Ray | 13 October 2026
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Bass line on Less Than Zero is the whole argument. Rest is decoration.
Sara | 14 October 2026
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Read this, then put Less Than Zero on loud. That was the move. Needed that.
Alex | 14 October 2026
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Not overrated. If anything people forgot how tight Less Than Zero is. Needed that.
Marc G. | 14 October 2026
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Still puts Less Than Zero on whenever I need a reset. Never gets old. I told my coworker and they shrugged. Their loss. Just saying.
Pierre | 15 October 2026
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I argued with my brother about Less Than Zero for years. This is my exhibit A.
Marie-Claire | 15 October 2026
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Same. Glad I am not alone on that.
Priya | 16 October 2026
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The production notes here made me replay Less Than Zero twice. Nice catch.